Fleda submitted like a sick animal: she would submit to everything now. "Then what further passed?" Sadly and submissively Fleda shook her head; the slow tears had come into her eyes. "I can't. I don't understand—I don't understand!" she broke out.!

The other visitor meanwhile turned to Fleda. "What is Mrs. Gereth going to do?" "Naturally I want my own house, you know," he said, "and my father made every arrangement for me to have it. But she may make it devilish awkward. What in the world's a fellow to do?" This it was that Owen wanted to know, and there could be no better proof of his friendliness than his air of depending on Fleda Vetch to tell him. She questioned him, they spent an hour together, and, as he gave her the scale of the concussion from which he had rebounded, she found herself saddened and frightened by the material he seemed to offer her to deal with. It was devilish awkward, and it was so in part because Owen had no imagination. It had lodged itself in that empty chamber that his mother hated the surrender because she hated Mona. He didn't of course understand why she hated Mona, but this belonged to an order of mysteries that never troubled him: there were lots of things, especially in people's minds, that a fellow didn't understand. Poor Owen went through life with a frank dread of people's minds: there were explanations he would have been almost as shy of receiving as of giving. There was therefore nothing that accounted for anything, though in its way it was vivid enough, in his picture to Fleda of his mother's virtual refusal to move. That was simply what it was; for didn't she refuse to move when she as good as declared that she would move only with the furniture? It was the furniture she wouldn't give up; and what was the good of Poynton without the furniture? Besides, the furniture happened to be his, just as everything else happened to be. The furniture—the word, on his lips, had somehow, for Fleda, the sound of washing-stands and copious bedding, and she could well imagine the note it might have struck for Mrs. Gereth. The girl, in this interview with him, spoke of the contents of the house only as "the works of art." It didn't, however, in the least matter to Owen what they were called; what did matter, she easily guessed, was that it had been laid upon him by Mona, been made in effect a condition of her consent, that he should hold his mother to the strictest accountability for them. Mona had already entered upon the enjoyment of her rights. She had made him feel that Mrs. Gereth had been liberally provided for, and had asked him cogently what room there would be at Ricks for the innumerable treasures of the big house. Ricks, the sweet little place offered to the mistress of Poynton as the refuge of her declining years, had been left to the late Mr. Gereth, a considerable time before his death, by an old maternal aunt, a good lady who had spent most of her life there. The house had in recent times been let, but it was amply furnished, it contained all the defunct aunt's possessions. Owen had lately inspected it, and he communicated to Fleda that he had quietly taken Mona to see it. It wasn't a place like Poynton—what dower-house ever was?—but it was an awfully jolly little place, and Mona had taken a tremendous fancy to it. If there were a few things at Poynton that were Mrs. Gereth's peculiar property, of course she must take them away with her; but one of the matters that became clear to Fleda was that this transfer would be immediately subject to Miss Brigstock's approval. The special business that she herself now became aware of being charged with was that of seeing Mrs. Gereth safely and singly off the premises.

"I asked for you," he said when she stood there, "because I heard from the flyman who drove me from the station to the inn that he had brought you here yesterday. We had some talk, and he mentioned it." "I believe you will, if you look at her like that!" Fleda knew exactly how much worse, but she felt a delicacy about explicitly assenting: she was already immersed moreover in the deep consideration of what might make "Mummy" better. She couldn't see as yet at all; she could only clutch at the hope of some inspiration after he should go. Oh, there was a remedy, to be sure, but it was out of the question; in spite of which, in the strong light of Owen's troubled presence, of his anxious face and restless step, it hung there before her for some minutes. She felt that, remarkably, beneath the decent rigor of his errand, the poor young man, for reasons, for weariness, for disgust, would have been ready not to insist. His fitness to fight his mother had left him—he wasn't in fighting trim. He had no natural avidity and even no special wrath; he had none that had not been taught him, and it was doing his best to learn the lesson that had made him so sick. He had his delicacies, but he hid them away like presents before Christmas. He was hollow, perfunctory, pathetic; he had been girded by another hand. That hand had naturally been Mona's, and it was heavy even now on his strong, broad back. Why then had he originally rejoiced so in its touch? Fleda dashed aside this question, for it had nothing to do with her problem. Her problem was to help him to live as a gentleman and carry through what he had undertaken; her problem was to reinstate him in his rights. It was quite irrelevant that Mona had no intelligence of what she had lost—quite irrelevant that she was moved not by the privation, but by the insult: she had every reason to be moved, though she was so much more movable, in the vindictive way, at any rate, than one might have supposed—assuredly more than Owen himself had imagined.